The Goddamn Gallows (Americana-Punk-Metal-Bluegrass, USA)
Gallows Bound ( Appalachian Punk-Bluegrass, USA)
Spit from the heart of America's Rust Belt, arising from a night of flophouse violence. Drifting across the states, they cemented their sound in Portland, OR and later in Los Angeles, CA, where they lived in abandoned buildings, squatter camps, storage units and shoebox apartments.
In 2007, they left everything behind and spent the next 4 years living out of whatever vehicle would get them to the next town. Building upon their original sound of twanged - out, punk rock gutterbilly (Life of Sin 2004 and Gutterbillyblues 2007), they began picking up stray musicians along the way and adding to their sound; washboard, accordion, mandolin and banjo (Ghost of the Rails 2009 and 7 Devils 2011) creating a sound referred to as "hobocore", "gypsy-punk" or "americana-punk", while never being stuck in any one sound.
Enter 2018 and The Goddamn Gallows have reinvented themselves once again with The Trial. From rockabilly, psychobilly and punk rock, to bluegrass and metal, The Trial infuses disparate sounds into a new strange recipe of seamless genre bending profundities.
Chock full of impromptu antics of the shocking variety and hauntingly eclectic instrumentation, The Goddamn Gallows have made legions of fans with their legendary, live shows.
Gallows Bound is a five piece Appalachian Punk/Bluegrass band from Winchester, Virginia. The band is known for using traditional instruments in a non - traditional way, along with vocals ranging from soulful and powerful, to gritty and emotional, to create a genre bending sound and an energy driven live show. The band has been touring non-stop for years in the USA and more recently frequenting Europe and Canada, building a strong following along the way. After a solid year of touring on their last EP release ‘Appalachian Witch’, Gallows Bound returned back to Virginia to create their long - awaited second album, set to be released in 2019.
Music Video for ‘Broken Glass’
Supported by JEVER LIVE
WobWob! Fusion WarmUp
Wir freuen uns auf die Fusion, die kommende Woche stattfinden wird und bei der wir auf jeden Fall auch dabei sein werden.
Inzwischen Tradition: Samstag Nacht auf dem Querfeld mit den Top-Acts der Szene!
Die Woche vorher wärmen wir uns mit euch im Hafenklang auf!
Der WobMob bringt euch das beste aus Dubstep, später am Abend auch mit Jungle, DnB und Grime. An den Decks
- DJ Deneh - Doc Bader - Phokus - The Next - Der Vinylizer - Urbano
Mehr Infos: www.wobwob.net www.facebook.com/wobwobdubstep www.instagram.com/wobwob_hamburg
Punkerstammtisch - Tischtennis-Rundlauf
Pete Simonelli und Co zurück im Hafenklang. Noise Rock trifft auf Story Telling...beides auf unglaublich hohem Niveau. Krasse Bühnenpräsenz.
Magi (Electronic / Hip Hop, Israel)
Gefördert durch die Freie und Hansestadt Hamburg, Behörde für Kultur und Medien.
Electro-Arab singer and musician MAGI (Maggie Hikri), makes “World Music” in the sense that you can imagine her genre-defying electronically infused cocktail of Middle-Eastern grooves, blasting from cars in Saudi Arabia and clubs in San Francisco, killing it in Coachella as well as the Shiraz Arts Festival in Iran. Acting and singing from a young age, it was MAGI’s initial flirtation with traditional Arabic music which won over British producer Juno Reactor, renowned for his fusion of electronic and global influences. Their collaboration found its’ way to his latest album and supporting tour, which sparked MAGI's renewed interest in the soundtrack of her youth.
Born and bred in the Yemenite ghetto of south Tel Aviv, Israel and having an Iraqi grandmother, MAGI’s first sonic encounters included 2000 year-old Yemeni prayers and contemporary Iraqi music. The storytelling structure and emotional content of Arabian music naturally led to her interest in Hip-Hop, soul, rock and ultimately the electro dance grooves of the wild West.
MAGI’s variety of influences dominate her first single, “Debka Rafiach”. Her debut album, produced by Balkan Beat Box’s Ron Bunker, is due to be released later this year. Her newly released second single “Alashoo”, is a tongue-in-cheek upgrade of a 1950’s Lebanese song, now told from a empowered feminine perspective. The track blends the singing stylings of urban Arabia with a funky electronic backdrop and a drop of social critique.
MAGI’s collaborated with diverse acts such as heavy metal band Orphaned Land and electropop producer Laroz. She is currently performing for groove loving multicultural audiences in Israel and abroad.
MAGI musical posse includes: Roy Avital - Guitars. Adi Benzur - Bass. Hagai Shlezinger - Drums. Gal Dahan - Sax. Yael Selinger - Keyboards & Computer